翻訳と辞書
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・ Kōsaku Hamada
・ Kōsaku Matsumora
・ Kōsaku Takii
・ Kōsaku Yosida
・ Kōsan-ji
・ Kōsei
・ Kōsei Hirota
・ Kōji Yusa
・ Kōjien
・ Kōjima
・ Kōjimachi
・ Kōjimachi Station
・ Kōjin
・ Kōjiro Station
・ Kōjirō Kusanagi
Kōjirō Matsukata
・ Kōjirō Yoshikawa
・ Kōjiya Station
・ Kōjō no Tsuki
・ Kōjō Tanaka
・ Kōka
・ Kōka District, Shiga
・ Kōka Station
・ Kōka, Shiga
・ Kōka, Shiga (town)
・ Kōkako
・ Kōke
・ Kōkei (monk)
・ Kōkei (sculptor)
・ Kōken-ji


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Kōjirō Matsukata : ウィキペディア英語版
Kōjirō Matsukata

was a Japanese businessman who devoted his life and fortune to amassing a collection of Western art which, he hoped, would become the nucleus of a Japanese national museum focused particularly on masterworks of the Western art tradition. Although his plans were not realized in his lifetime, his vision is commemorated in Japan's National Museum of Western Art (NMWA) in Ueno, central Tokyo.〔( NMWA collection )〕
== Background ==

Matsukata was the third son of the early Meiji Period Finance Minister and ''genrō,'' Matsukata Masayoshi.〔("Article 4 -- No Title," ) ''New York Times.'' September 4, 1923.〕 After being educated in the United States at Rutgers Preparatory School and Rutgers University, he became president of Kawasaki Shipbuilding Company (''Kawasaki Shōzō'') in 1896 and then went on to become〔Greenfield, Liah. (2001). ( ''The Spirit of Capitalism: Nationalism and Economic Growth,'' p. 341. )〕 head of Kawasaki Dockyards from 1916 through 1923.
The financial success he enjoyed in the early part of the century was affected adversely by economic downturns in the 1920s and 1930s; but much of his art collection remained intact despite the collapse of his business interests.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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